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Okiku and the World

Film Screening
Apr
13
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Auditorium (L02), Humanities Quadrangle
320 York St, New Haven CT, 06511

1h 30min
Directed by Junji Sakamoto
B&W with English Subtitles

Screening will be followed with opportunity for Q&A with Director Sakamoto Junji.

Join us for a lunch discussion with Director Sakamoto before the screening in HQ 276 at 12pm. 
Registration is required here. Lunch will be provided. 


Okiku and the World is a love story, featuring Okiku, who lives in a row house in nineteenth century Japan, and the two men who come to purchase the tenants’ human waste, in other words, their shit and pee. During the Edo era (1603 ~ 1868), the shoguns ruled Japan and shut out the outside world. With no imports or exports, people valued their limited resources by recycling and repurposing everything from paper to kimonos. Even human waste, purchased by Manure Men and sold to local farmers as valuable, organic fertilizer for growing food. These practices led to a recycle-based society, which was possible because everything was still made from natural materials. Okiku and the World is a love story that unfolds among ordinary people who lived in 19th century Edo, the metropolis we call Tokyo today.

Print provided by Japan Foundation
©2023 FANTASIA


Sakamoto Junji is one of the most successful Japanese film directors of the last four decades, making films ranging from indie arthouse films to big budget action thrillers. But his tendency to focus on genre cinema has meant his work has not been shown much on the festival circuit, even though he did get a lifetime achievement award from the New York Asian Film Festival in 2023. Despite the fact his films have been consistently appeared in yearly best ten lists of Japanese film critics, with Okiku and the World voted the best film of 2023 in the prestigious Kinema Junpo Best Ten, he remains one of Japan’s greatest filmmakers little known abroad. Yet his cinema are always rewarding, ranging from pure entertainment social problem films, including a series of works interrogating Japan’s relationships with the world, including the USA, Korea, and Cuba.

About Director Sakamoto

Born in Osaka in 1958. While studying in university,  he participated in productions of directors such as Sogo Ishii (Gakuryu) and Kazuyuki Izutsu. He made his directorial debut in 1989 with Knockout. In 2000, his film Face won numerous awards including Best Director at the Japanese Academy Prize. His other notable work includes KT (2002), Aegis (2005), Children of the Dark (2008), Zatoichi: The Last (2010), Someday (2011), A Chorus of Angels (2012), Human Trust (2013), The Projects (2016), Ernesto (2017),  Another World (2019), I Never Shot Anyone (2020),  My Brother, The Android And Me (2022) and Fuyu Soubi (2022).