Skip to main content

The Politics and Aesthetics of Absence: From Erasure to Repair through Refusal, Retreat and Retrieval Across the Feminist Black Atlantic

Brazilian Studies Lecture Series with Ana Balona de Oliveira
Nov
12
-
Rosenkranz Hall
115 Prospect Street, New Haven CT, 06511
Room 102

As part of the Brazilian Studies Lecture Series, Ana Balona de Oliveira, FLAD Visiting Professor at Brown University will speak on "The Politics and Aesthetics of Absence: From Erasure to Repair through Refusal, Retreat and Retrieval Across the Feminist Black Atlantic."

This talk charts theoretical, curatorial, and artistic circulations across a feminist Black Atlantic of sorts. It considers how a transnational Black sorority across linguistic and disciplinary borders has occupied major curatorial stages of global contemporary art on both sides of the North and South Atlantic: from New York to Venice to São Paulo to Luanda (including visual and sonic contributions from Angola, São Tomé and Príncipe, Cape Verde, and Guinea-Bissau). These Black feminist gatherings have fostered critical conversations on past and present systems of racial, gender and class subordination and manifold forms of resistance and refusal, notably through retreat and retrieval – forms of strategic presence and absence, visibility and opacity, sound and silence, whereby ancestries have been shown to both refuse and inspire ‘impossible’ futurities.

Speakers

Ana Balona de Oliveira

Ana Balona de Oliveira is an Assistant Researcher at the Institute of Art History of the NOVA University of Lisbon, where she co-coordinates the line ‘Transnational, Decolonial and Feminist Art Practices’. She is an Invited Assistant Professor at NOVA-FCSH and an independent curator.

As a Visiting Professor at Brown University's Department of Portuguese and Brazilian Studies (Fall 2025), Ana Balona de Oliveira will teach the subject Art and Visual Culture from the Lusophone Black Atlantic: A Decolonial and Comparative Approach. The course addresses historical and contemporary circulations between Portugal, Angola, Mozambique, Cape Verde, Guinea-Bissau, São Tomé and Príncipe and Brazil through the visual, performative and material knowledge production of modern and contemporary art and curating.

Dr. Balona earned her PhD in History of Art (Modern and Contemporary) at the Courtauld Institute of Art, University of London in 2012.