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Moira Fradinger

Associate Professor of Comparative Literature

Moira Fradinger is Associate Professor in the department of Comparative Literature. She grew up in four South American countries: Argentina, Uruguay, Peru and Venezuela. A native speaker of Spanish, she is also proficient in French, Italian and Portuguese. Before her academic life in the USA, she had started her career as a psychologist in Argentina, working in clinical practice with psychotic patients in public hospitals. In Argentina she was also a professional staff member in the National Ministry of Health and Social Action at the Under-Secretary for Women’s Affairs and taught at the University of Buenos Aires. She joined Yale first as a graduate student, and was hired in 2005 in Comparative Literature.

She is the author of Binding Violence: Literary Visions of Political Origins (Stanford UP, 2010) and has written articles on Latin American film and literature, and on the reception of classical tragedy in Latin America. Currently she is finishing two projects: a book on 20th century Latin American rewritings of Antigone, with the working title of “Antígonas: A Latin American Tradition,” and an anthology of five Antigone-plays (from Haiti, Argentina, Uruguay, Peru, and Brazil) that she translated into English. She has also translated poems and short stories from Spanish into English.

She has three book-length projects in research phase, including a study of Gender Debates in 21st century Argentina, a study on revolutionary Latin American cinema in the sixties, and one of the anarchist imagination, focusing on anarchist journals and their women writers on both sides of the Atlantic at the turn of the 20th century.

She has won several teaching awards; the latest one was the Sarai Ribicoff Award for the Encouragement of Teaching at the Yale College (2012).

She has taught courses on topics such as Radical Films from Latin America; Latin American and Caribbean Intellectual history (19th and 20th centuries); Latin American and World literature; Psychoanalytic theories of the subject; Freud and Science; Lacan and the Post-Freudians; Gender theories and their politics; Introduction to Narrative; Feminist Film makers.