Courses

This course introduces students to the lasting effects of the Japanese Empire, both on modern Japan and East Asia more broadly. We will cover the emergence of the empire in relation to European colonialism, the effects of pan-Asianism within the empire, and the transition from empire to democracy under American occupation. Specific attention will be paid to cultural artefacts such as literature, film, and media; the ways in which contemporary Japan is shaped by this history in terms of diaspora, migration, and cultural nationalism; and the productive connections between postcolonial East Asia and more established forms of postcolonial criticism.

The development of Japanese cinema after the breakdown of the studio system, through the revival of the late 1990s, and to the present.

In this course, students explore how cultural representations of gender and sexuality in Korea and the Korean diaspora have changed over the twentieth century. Primary sources include literary texts, narrative and documentary films, as well as scholarship on themes and historical context relevant to the materials. We begin by exploring how gendered selfhood in Korea was constructed in relation to the colonial modernization process in the first half of the twentieth century. We then move onto stories of how women and men survived the Cold War, developmentalist, and dictatorial regimes of South Korea from 1945 to 87. In the last segment of the course, we focus our attention to voices from the contemporary moment, to examine how present-day Koreans of various gender and sexual identities contend with the challenges of an increasingly neoliberalizing social order. 

The martial arts film has not only been a central genre for many East Asian cinemas, it has been the cinematic form that has most defined those cinemas for others. Domestically, martial arts films have served to promote the nation, while on the international arena, they have been one of the primary conduits of transnational cinematic interaction, as kung-fu or samurai films have influenced films inside and outside East Asia, from The Matrix to Kill Bill. Martial arts cinema has become a crucial means for thinking through such issues as nation, ethnicity, history, East vs. West, the body, gender, sexuality, stardom, industry, spirituality, philosophy, and mediality, from modernity to postmodernity. It is thus not surprising that martial arts films have also attracted some of the world’s best filmmakers, ranging from Kurosawa Akira to Wong Kar Wai. This course focuses on films from Japan, China, Hong Kong, Taiwan, and South Korea—as well as on works from other countries influenced by them—covering such martial arts genres such as the samurai film, kung-fu, karate, wuxia, and related historical epics. It provides a historical survey of each nation and genre, while connecting them to other genres, countries, and media.

This course offers an interdisciplinary introduction to the study of the complex cultural and political paradigms of late socialism from a transnational perspective by focusing on the literature, cinema, and popular culture of the Soviet Union and China in 1980s. How were intellectual and everyday life in the Soviet Union and China distinct from and similar to that of the West of the same era? How do we parse “the cultural logic of late socialism?” What can today’s America learn from it? Examining two major socialist cultures together in a global context, this course queries the ethnographic, ideological, and socio-economic constituents of late socialism. Students analyze cultural materials in the context of Soviet and Chinese history. Along the way, we explore themes of identity, nationalism, globalization, capitalism, and the Cold War.

A research course in Chinese studies, designed for students with background in modern and literary Chinese. Explore and evaluate the wealth of primary sources and research tools available in China and in the West. For native speakers of Chinese, introduction to the secondary literature in English and instruction in writing professionally in English on topics about China. Topics include Chinese bibliographies; bibliophiles’ notes; specialized dictionaries; maps and geographical gazetteers; textual editions, variations and reliability of texts; genealogies and biographical sources; archaeological and visual materials; and major Chinese encyclopedias, compendia, and databases.

Readings in ancient and middle-period Chinese poetry, from the beginnings of the tradition through the Song dynasty. 

Close reading of classical Chinese texts (wenyan) primarily from late Imperial China. A selection of formal and informal prose, including memoirs, sanwen essays, classical tales, biographies, and autobiographies. Focus on cultural and historical contexts, with attention to reception in China and in some cases in Korea and Japan. Questions concerning readership and governmental censorship, function of literature, history and fictionality, memory and writing, and the aesthetics of qing (emotion).

Introduction to the literary genre huaben, or the vernacular short story. Seventeenth century texts, written in a version of spoken Chinese, provide an unparalleled view of life in early modern China. Discussions of book culture, commercial publication, and the social role of the vernacular.

An introduction to literary criticism and history using texts in the original language. Fiction and nonfiction written in Chinese in different parts of the world, with a focus on the period from the nineteenth century to the present. Readings in Chinese; texts in both simplified and traditional characters.

This advanced undergraduate seminar examines the dissemination, visibility, and prominence of Korean popular culture within and outside its national borders. We spend time exploring a wide variety of cultural forms such as music, film, television, fashion, performance, and new media from the early twentieth century to the present-day moment, focusing our attention on the following questions: How did Korean cultural values and historical experiences shape the content, style, and aesthetics of contemporary Korean popular culture? What is the ideological, economic, and socio-political function of popular culture in South Korea today? What makes Korean popular culture attractive to a global audience who are not necessarily familiar with the Korean language and culture? In answering these questions, we examine Korean popular culture against major historical events that took place in Korea over the twentieth century such as Japanese occupation and the Korean War, as well as the military dictatorships, democratization, and neoliberalization of South Korea. On top of conventional research writing assignments, students are also expected to produce creative essays reflecting on their own relationship with Korean popular culture and present them in class. 

A reading of the central work of prose fiction in the Japanese classical tradition in its entirety (in English translation) along with some examples of predecessors, parodies, and adaptations (the latter include Noh plays and twentieth-century short stories). Topics of discussion include narrative form, poetics, gendered authorship and readership, and the processes and premises that have given The Tale of Genji its place in world literature. Attention is also given to the text’s special relationship to visual culture.