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Miklós Veszprémi is a PhD candidate in music theory. His dissertation is on “double function form” works, in which musical form unfolds on multiple, mutually exclusive hierarchical levels simultaneously. It asks how mid nineteenth-century listeners perceived such forms, and focuses on the reception and international dissemination of Franz Liszt’s Second Piano Concerto.

Adi Meyerovitch is a doctoral student in the history and theory of architecture at Yale School of Architecture. She studies the history of architecture in the nineteenth and twentieth centuries with an emphasis on the Middle East.