Screening of Rainbow | Complexities of Resistance: Partisan Films from Eastern Europe and the Balkans Film Series
Complexities of Resistance: Partisan Films from Eastern Europe and the Balkans Film Series presents a film screening of RAINBOW (Raduga/Rajduga)
Ukrainian SSR, 1944. 93 minutes.
Directed by Mark Donskoj. Digital file. Dovzhenko Film Center, Kyiv.
on Saturday, October 7, 2023, 1:00 p.m.
Humanities Quadrangle, Screening Room L01
320 York Street, New Haven, CT 06511
Free and open to the public | All films will be shown with English subtitles
Arguably the progenitor of the partisan film genre, RAINBOW offers a still-horrifying portrayal of atrocities wrought by the Nazis upon inhabitants of a Ukrainian village, as well as the unflinching resistance with which the butchers are met.
Sponsors:
Edward J. and Dorothy Clarke Kempf Memorial Fund; Russian, East European and Eurasian Studies Program; European Studies Council; Whitney Humanities Center; Yale Film Archive; Department of Slavic Languages and Literatures; and Film and Media Studies Program
About the Film Series: In the aftermath of World War II, several European states started reconstructing and reimagining their identities and recent histories by producing a vast number of films that celebrated and commemorated their guerrilla struggles against fascism. These films ranged in scope and ambition from intimate psychological dramas to overblown military spectacles, from elegiac recollections to pure pulp fiction. Similar to Hollywood westerns, partisan films were the defining genre of the socialist film industry for a significant period. Moreover, in the late 60s and early 70s, both genres reinvented themselves and underwent a political revision that ended their respective “classical periods.” Despite being hugely successful in their domestic markets and often cinematically accomplished, many examples of the partisan films never traveled abroad, and most film prints today remain locked up and in dire need of preservation in various national film archives. Aside from a handful of canonical works, the majority of films we will screen have never been shown in the U.S.