Barbora Bartunkova is a Ph.D. Candidate in the History of Art Department at Yale University, where she works on European art, photography, and film from the nineteenth century to the present, with a particular focus on interwar and Cold War visual cultures.
Thanks to the generous support of the European Studies Council at the Whitney and Betty MacMillan Center for International and Area Studies at Yale, I presented a dissertation-related paper at the Annual Convention of the Association for Slavic, East European, and Eurasian Studies (ASEEES), which took place from November 18–21, 2021, in New Orleans.
Miklós Veszprémi is a PhD candidate in music theory. His dissertation is on “double function form” works, in which musical form unfolds on multiple, mutually exclusive hierarchical levels simultaneously. It asks how mid nineteenth-century listeners perceived such forms, and focuses on the reception and international dissemination of Franz Liszt’s Second Piano Concerto.
