… Iran: A Modern History … Iran: A Modern History Abbas Amanat, the William Graham … collective awareness among the Iranian intelligentsia. And music? Iran preserved its own musical tradition, which is …
… Iran Colloquium: The Making of the Modern Carceral State in Iran … Iran Colloquium: The Making of the Modern Carceral … & Lectures 203-436-2553 cmes@yale.edu Henry R. Luce Hall (LUCE ), 203 34 Hillhouse Avenue 06511 CT United …
… Iran Colloquium: The Making of the Modern Carceral State in Iran … Iran Colloquium: The Making of the Modern Carceral … & Lectures 203-436-2553 cmes@yale.edu Henry R. Luce Hall (LUCE ), 203 34 Hillhouse Avenue 06511 CT United …
Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition
… The Son Sen Files, 1976-1977 … The Son Sen Files, 1976-1977 The following documents translated by the … Sae and Comrade Kim again in order to put the Party’s final decision into practice. On 5-1-76, the fighting still …
… Silence Falls on Iran’s Protest Movement … Silence Falls on Iran’s Protest … an inspirational people’s movement to rise up, the music shows otherwise. One might have expected the recent … SciencesTalks & Lectures south.asia@yale.edu Henry R. Luce Hall (LUCE ), 203 34 Hillhouse Avenue 06511 CT United …
… The Pol Pot Files, 1975-1977 … The Pol Pot Files, 1975-1977 The following documents translated by the … Islamic people back to their villages. According to the final decision of the meeting, we must not send the Islamic …
… Refuge on Stage: Survival & the Power of Music … Refuge on Stage: Survival & the Power of Music An evening with Syrian Violinistand Refugee Advocate … Arts & Humanities Refuge on Stage: Survival & the Power of Music A bus will be provided for teachers from the May 16 CIA …
… Graves, Assistant Director at the Yale Institute of Sacred Music (ISM), on today’s publication of The Politics of … commodification of the genre of Bengali Hindu devotional music called padābalī kīrtan . The padābalī kīrtan tradition … “I was attracted to the aesthetics of this kind of music because it was so different from popular music in South …